Miserere mei, Deus
The Psalm 50 antiphon in Mode I, sung by the Schola of the Annunciation. Twelve minutes of unaccompanied plainchant in the Solesmes tradition.
Curated recordings of sacred music across the Roman, Byzantine, and Anglican traditions — organized by season, scored for the modern worshiper, and rendered with the reverence the texts deserve.
Six cornerstone recordings from the catalogue — psalmody, plainchant, and Renaissance polyphony drawn together for the Lenten journey from Ash Wednesday through Holy Saturday.
The Psalm 50 antiphon in Mode I, sung by the Schola of the Annunciation. Twelve minutes of unaccompanied plainchant in the Solesmes tradition.
A Lenten hymn in Plagal Second mode, rendered in Byzantine vocalise by the St. Catherine Choir of Mount Sinai.
Palestrina's five-voice setting from the Officium Tenebrarum, recorded in the reverberant acoustic of San Luigi dei Francesi.
The traditional Compline responsory, set to a single chant tone by the Choir of Merton College and recorded at the close of day.
The Eucharistic hymn of St. Thomas Aquinas sung in its entirety, with the Tantum Ergo and Genitori set to Pange Lingua's ancient tune.
The Lenten ferial antiphon from the Sarum Use, restored from the 1524 Aberdeen Breviary and sung in its original English pronunciation.
Each tradition in the catalogue is curated by a specialist editor, with attention to historical sources, performance practice, and the integrity of the liturgical text.
Browse the catalogue by the rhythm of the Church year — from Advent's first vespers through the long green Sundays of Ordinary Time.
Vigils, O Antiphons, and the Rorate coeli.
Matins of the Nativity and the Great Antiphons.
Tenebrae, ferial psalmody, and the Improperia.
The Seven Last Words and the Reproaches.
The Exsultet, Regina caeli, and Victimae Paschali.
Veni Creator and the Sequence of the Holy Spirit.
Sundays after Pentecost and the Offices of the Saints.
Every recording in the catalogue is captured in a space chosen for its acoustic, not its convenience. We work with ensembles who have spent years — often decades — with the repertoire, and we refuse the modern temptation to compress, tighten, or auto-tune what is, by nature, a prayer offered aloud.
Parish licences are available for choirs, scholas, and修道 communities. Every licence includes downloadable scores and a one-page guide to introducing each piece to your assembly.
See Liturgical Pairings