Harry Potter and Christianity

Michael O'Brien is one of my favorite Christian writers. And he's the author of A Landscape With Dragons: The Battle for Your Child's Mind, which I would highly recommend for all parents.

Today I read an excellent article by Michael O'Brien called Harry Potter and "the death of God" (full article here). It's a great analysis of the whole Harry Potter series and some of the big issues Christians should have with it (we've posted on those problems previously). It is a very good analysis and I wanted to point out some of the key parts of it. This is what every parent considering letting their children read it should hear:

Lev Grossman, in the July 23, 2007, issue of Time magazine, writes, “If you want to know who dies in Harry Potter, the answer is easy: God.” In this he has expressed the core problem with the Potter series. There is much that could be written, and has been written, about the specific problems in the books. Without neglecting the valid point that good fiction need not be overtly Christian, need not be religious at all, we might ponder a little the fact that the central metaphor and plot engines of the series are activities (witchcraft and sorcery) absolutely prohibited by God. We might also consider for a moment the fact that no sane parents would give their children books which portrayed a set of “good” pimps and prostitutes valiantly fighting a set of “bad” pimps and prostitutes, and using the sexual acts of prostitution as the thrilling dynamic of the story. By the same token we should ask ourselves why we continue to imbibe large doses of poison in our cultural consumption, as if this were reasonable and normal living, as if the presence of a few vegetables floating in a bowl of arsenic soup justifies the long-range negative effects of our diet. Leaving aside a wealth of such arguments, let us consider Lev Grossman’s insight.

“The death of God?” many a reader will respond. “Surely he is making too much of the matter! Aren’t we discussing a single phenomenon in a vast sea of cultural phenomena? And aren’t there a lot of positive values in these books and films—even some edifying moments of courage and sacrifice? And isn’t it all about love?” Yes, in a sense it is. But what kind of love? What kind of sacrifice? And for what purpose? The series is also about the usefulness of hatred and pride, malice toward your real or perceived enemies, seeking and using secret knowledge, lies, cunning, contempt, and sheer good luck in order to defeat whatever threatens you or stands in the path of your desires. It is a cornucopia of other false messages: The end justifies the means. Nothing is as it seems. No one can really be trusted, except those whom you feel comfortable with, who support your aims and make you feel good about yourself. Killing others is justified if you are good and they are bad. Conservative people are bad, anti-magic dogmatists are really bad and deserve whatever punishment they get (hence the delicious retributions against the Dursleys). The ultimate cause of evil is rejection of magic: the arch-villain Voldemort, for example, first went off track when he became a dysfunctional boy abandoned by his anti-magic father. Then there’s the adolescent romance in the atmosphere, a potent element when mixed with magic, usually latent but growing with each volume and culminating in domestic bliss for the central characters at the end of the final volume. Yes, Harry faces near-satanic evils, passes through an unceasing trial of conflict and woe, triumphs against insurmountable odds, saves the world, marries Ginny and brings forth with her a new generation of little witches and wizards. If it were a spoof or satire we might laugh. But it presents itself as very serious stuff, this festival of noxious half-truths and overt falseness, interwoven so conveniently with some positive values, some attractive role-modeling, and the timeless authorial device of an under-dog orphan as the hero/anti-hero of the series. So pleasurable, so thrilling at every turn. So deathly and hollow.

But that is the point, isn’t it. If the universe in which we live is not “hallowed” (sacred, holy) but rather hollow and deadly, then we must do what we can to change it, right? There is no God, apparently, so we must be our own gods. If there is no father (as every orphan knows) than we must be our own fathers. A tough job for anyone to do, but with the help of some incredible powers it can be done. And even if there is, after all, something in existence a little more than the material world and this materialist magic, can it be trusted? Definitely not, according to the story. There are hints of other realms in the Potter series, immaterial or metaphysical dimensions devoid of any reference to a higher moral order. But these are window-dressing to the cosmology Rowling establishes. Throughout the series there is overwhelming evidence that a Gnostic worldview is being slowly but surely presented. In fact, it is a new form of that ancient archipelago of heresies, a neo-gnosticism that borrows remnants of Judeo-Christian symbols and mixes them with cultic concepts of life and afterlife. For example, toward the end of the final volume, Harry’s headmaster and mentor, Dumbledore, meets with Harry in a nebulous otherworldly zone, after Dumbledore’s death and Harry’s pseudo-death, before the latter’s mysterious “resurrection.” Yet even these and other metaphysical references are merely used to serve the author’s real goal, which is the exaltation of the humanist ideal. Such humanism cannot long survive without a “spirituality” of some kind or other—and what better spirituality for Homo Sine Deo than one which offers the thrills and rewards of the preternatural, without moral accountability to God. One might call this, paradoxically, the religion of secular humanism. In this religion, as in most other religions, the world is gravely threatened and needs its saviour. What, then, is a lovable hero to do in this situation? He must grow up, it goes without saying, and he does so throughout the seven tales by coming into the realization of his inherent semi-divine powers. These are never referred to as god-like powers because that would be a tacit admission of some kind of higher authority, and Potterworld will admit no absolute hierarchy in creation.

Studies repeatedly show that children who read Harry Potter develop an interested in witchcraft and sorcery. And why not? These books glorify both in rich fashion. I really think the statement above almost says it all. But the article continues with some great points and this is near the end:

Genuine freedom is possible only where there is genuine love. And genuine love is not possible without truth. As Tolkien once pointed out in his essay on fantasy literature, the writer who hopes to feed the imagination in a healthy way must remain faithful to the moral order of the real universe, regardless of how fantastic the details of the fictional world may be. The Natural Law which God has written into our beings cannot be entirely eradicated, but it can be gravely deformed, leading to distortion of consciousness and conscience, and hence our actions. Healthy fiction, no matter how wildly it may depart from the material order, teaches us to love ourselves in a wholesome manner, by loving our neighbor. Indeed, even by loving our enemies—at least by trying to learn to love them, and by believing that it is right to do so. With grace this is possible. But selective love (coupled with selective hatred) does not lead to freedom. It is the feelings of love without the substance of love, the feelings of freedom without the foundations of freedom. If God is the absent father—or the father who perhaps never existed—the hero and his readers are left only with such emotions, their hooked loyalties, their love of the self’s insatiable appetites, which they feel cannot be denied without a killing curse of self-annihilation. That is why so many people cling fiercely to the “values” in the Potter books while ignoring the interwoven undermining of those very values. That is why the defenders of Potterworld exhibit such adamancy, frequently outrage, against critics. According to their perceptions, the critics of Potterworld are the enemies of freedom and identity.

Harry Potter is not good for your children. I've heard several parents say, "I'm just so glad s/he is reading," These same parents would be shocked if their children were reading obscene books, but love Harry Potter. Remember: the Bible puts sorcery and magic as one of the worst sins, since it attempts to elevate man to the position of God. Harry Potter teaches children to love sorcery. Stay away! And tell others.

Please read the article - it's very good. And our thanks to Michael O'Brien for keeping this information out there.

God bless,
Jay